Noten / Music

Informationen zur Literaturauswahl und der Verwendung der Begleitaufnahmen

Der Wettbewerbsbeitrag umfasst ein Werk, das aus der untenstehenden Literaturliste frei wählbar ist. Einzige Ausnahme sind die beiden Werke von Barbarino, die zusammen gewählt werden müssen und nur gemeinsam einen Wettbewerbsbeitrag bilden.
Die Stimmangaben sind nur als Orientierung zu verstehen und im Stil der Zeit selbstverständlich frei wählbar, ebenso wie die Stimmtonhöhe. (Sopranstimmen können oktaviert von Tenören und umgekehrt gesungen werden, Bässe können oktaviert die Altwerke einstudieren, Soprane können die Werke für Alt eine Quart höher singen, Altisten/Altistinnen Sopranwerke entsprechend tiefer transponieren etc, siehe auch Herbst, Musica Moderna Prattica, S. 47).

Das Anbringen von Verzierungen ist ausdrücklich erwünscht.

Auf Grund der besonderen Umstände momentan haben wir uns entschlossen, Begleitaufnahmen für jedes Werk bereitzustellen.
Eine gute Möglichkeit, Tempo und Stimmtonhöhe an die eigenen Bedürfnisse anzupassen, bietet die kostenlose Software www.audacity.de. Die mp3-Files unserer Einspielungen (zum Downloaden rechte Maustaste nutzen) können mittels dieser Software individuell eingestellt werden und zum Abspielen genutzt werden.

Zum Üben und für die weitere Beschäftigung mit dem Thema empfehlen wir die Passaggi App: www.passaggi.co.uk/. Alle Continuo-Einspielungen für die Auswahlwerke sind in dieser App im Album Bovicelli Competition hochgeladen und können ebenfalls individuell im Tempo und in der Tonhöhe verändert werden. Die App ist für iOS and Android Smartphones erhältlich.

 

Informations about Literature Selection and Accompaniment recordings

The competition entry comprises one work selected from this literature list. The only exception: the two works by Barberino must be selected together and only constitute a competition entry together.
The voice types indicated are only intended as an orientation—in the style of the time, they may of course be freely selected. The same applies to the pitch.

Please feel free to add graces or diminutions where ever you want.

We have decided to provide accompaniment recordings for all works because of the special circumstances.
The free software www.audacity.de offers singers a good possibility to adapt tempo and pitch to their own needs. The mp3 files of our recordings may be individually adjusted and played using this software.

All our recordings for the competition are also to be found in Passaggi App under the Album Bovicelli Competition. The App offers tempo and pitch quick and easy adjustments (see www.septenaryeditions.com) The recommended Passaggi App  www.passaggi.co.uk/ is available for iOS and Android smartphones and Tablets.

Voice
Io son ferito
Giovanni Pierluigi da Palestrina, Giovanni Battista Bovicelli

Source: Regole di musica madrigali e motetti Passeggiati, 1594
Edition: Cantus, Septenary Editions / Partitur, Septenary Editions
Edited by Gawain Glenton with translations by Olivier Webber
Facsimile: Palestrina, Io son ferito, Regole… 1594
Accompaniment recording: Orgel, Maria Morózova-Meléndez, 465 Hz

Recordings: Jean Tubéry & La Fenice
With thanks to Jean Tubéry for providing the recording.

 

Voice
Ancor che col partire
Cipriano de Rore/Giovanni Battista Bovicelli

Source: Regole di musica madrigali e motetti Passeggiati, 1594
Edition: Cantus, ©PiaPraetorius2017 | Partitur, ©PiaPraetorius2017
Facsimile: Bovicelli, Regole di musica madrigali e motetti Passeggiati, 1594
Accompaniment recording:
Orgel, Martin Erhardt, 465 Hz (embellished) | Orgel, (Martin Erhardt), 465 Hz (simple)
You can also choose the recording from the Passaggi App. (Google, Apple)

 

Voice
Ancor che col partire
Cipriano de Rore/ Riccardo Rognoni

Source: Il vero modo di diminuire con tutte le sorte di stromenti da corde, da fiato, & anco per la voce humana, Venedig 1592
Edition: Cantus, ©PiaPraetorius2017 | Partitur, ©PiaPraetorius2017
Facsimile: Rognoni, Il vero modo di diminuire … 1592
Accompaniment recording:
Orgel, Martin Erhardt, 465 Hz (embellished) | Orgel, (Martin Erhardt), 465 Hz (simple)
You can also choose the recording from the Passaggi App. (Google, Apple)

 

Voice
Ancor che col partire
Cipriano de Rore/Giovanni Bassano

Source: Motetti, madrigali et canzone francese di diversi eccellenti autori à quatro cinque, & sei voci. Diminuiti per sonar con ogni sorte di stromenti, & anco per cantar con semplice voce, Venedig 1591
Edition: Cantus, ©PiaPraetorius2017 | Partitur, ©PiaPraetorius2017
Facsimile: Bassano, Motetti, madrigali et canzone francese … 1591
Accompaniment recording:
Orgel, Martin Erhardt, 465 Hz (embellished) | Orgel, (Martin Erhardt), 465 Hz (simple)
You can also choose the recording from the Passaggi App. (Google, Apple)

 

Voice
Ancor che col partire
Cipriano de Rore/Girolamo dalla Casa

Source: Libro secondo Da cantar in compagnia & anco con liuto solo, 1584
Edition: Stimme, ©PiaPraetorius2017 | Partitur, ©PiaPraetorius2017
Facsimile: Libro secondo da cantar, 1584
Accompaniment recording:
Orgel, Martin Erhardt, 465 Hz (embellished) | Orgel, (Martin Erhardt), 465 Hz (simple)
You can also choose the recording from the Passaggi App. (Google, Apple)

 

Voice
Angelus ad Pastores
Cipriano de Rore/Giovanni Battista Bovicelli

Source: Regole Passaggi di musica, Venedig 1594
Edition: Stimme, ©PiaPraetorius2017 | Partitur, ©PiaPraetorius2017
Facsimile: Bovicelli, Regole, Angelus, 1594
Accompaniment recording:
Orgel, Martin Erhardt, 465 Hz (embellished) | Orgel, (Martin Erhardt), 465 Hz (simple)
You can also choose the recording from the Passaggi App. (Google, Apple)

Recording: Jean Tubéry, Dagmar Saskova & La Fenice

 

 

Soprano • Tenor
O bone Jesu
Giovanni Felice Sances

Source: Motetti a voce sola, Venedig 1638
Edition: Cantores Sancti Marci

Please check the Facsimile, the second Tirata in this edition isn’t original. The distribution of syllables from bar 108 and the followings seems to be a printing error.
Here some suggestions by Charles Daniels to solve the problem with the text underlay in bar 108 and followings: Charles Daniels: O bone Jesu (extracts)

Facsimile: Motetti a voce sola, 1638
Download mp3: Cembalo, Jürgen Banholzer, 415 Hz

 

Soprano • Tenor
Plaudite cantate
Horatio Tarditi

Source: Celesti fiori libro II op. 8, Venedig 1629
Edition: Cantores Sancti Marci (Achtung: Takt 91.3 ist im Original kein Auflösungszeichen)
Facsimile: Celesti fiori libro II op. 8, 1629
Download mp3: Cembalo, Jürgen Banholzer, 415 Hz

 

Tenor • Soprano
O quam suavis
Antonio Brunelli

Source: Fioretti spirituali Venedig 1626
Edition: Hermann Hinsch
Download mp3: Barockgitarren, Thomas Boysen, 440 Hz

 

Tenor • Soprano
Parce mihi
Giovanni Girolamo Kapsberger

Source: Libro primo di mottetti passeggiati a una voce, 1612
Edition: ©ThomasC.Boysen2020
Facsimile: Libro primo di mottetti passeggiati, 1612
Download mp3: Theorbe, Thomas Boysen, 415 Hz

 

Alto
O magnum Sacramentum
Giovanni Antonio Rigatti

Source:  Motetti a voce sola, Venedig 1643
Edition: Cantores Sancti Marci
Facsimile: Motetti a voce sola, 1643
Download mp3: Orgel, Martin Erhardt, 465 Hz

 

Bass
Dominus possedit me
Giovanni Felice Sances

Source: Motetti a voce sola, Venedig 1638/43
Edition: Cantores Sancti Marci
Facsimile: Motetti a voce sola, 1638/43
Download mp3: Orgel, Maria Morózova-Meléndez, 468 Hz

 

Soprano • Tenor
Sancta Maria
Bartolomeo Barbarino

Source: Motetti del Pesarino a una voce Lib. 2, Venedig 1614
Edition: ©JürgenBanholzer
Facsimile: Motetti del Pesarino, 1614
Download mp3: Cembalo, Jürgen Banholzer, 415 Hz

 

Soprano • Tenor
In te Domine
Bartolomeo Barbarino

Source: Motetti del Pesarino a una voce Lib. 2, Venedig 1614
Edition:  ©JürgenBanholzer
Facsimile:  Motetti del Pesarino, 1614
Download mp3: Cembalo, Jürgen Banholzer, 415 Hz

 

Bass
Jesu dulcis memoria
Giovanni Felice Sances

Source:  Motetti a voce sola, Venedig 1638/43
Edition: Cantores Sancti Marci
Facsimile: Motetti a voce sola, 1638/43
Download mp3: Theorbe, Laute, Barockgitarre, Thomas Boysen

 

Bass
In voluntate tua
Giovanni Antonio Rigatti

Source: Motetti a voce sola, Venedig 1638/43
Edition: Cantores Sancti Marci
Facsimile: Motetti a voce sola, 1638/43
Download mp3: Orgel, Martin Erhardt, 465 Hz

 

Voice
Susanne un jour
Orlando di Lasso

BOVICELLI AWARD

Source: Tiers livre des chansons a quatre, cincq & six parties, Louvain 1570
Edition: Originaltonart, Pothárn Imre/CPDL | transposed, ©PiaPraetorius2020
Download mp3: Orgel, Maria Morózova-Meléndez, 468 Hz

 

Voice
Magi viderunt stellam
Tomás Luis de Victoria

BOVICELLI AWARD

Source: Motecta, que partim quaternis, partim quinis, alia senis, alia octonis vocibus concinuntur, Venedig 1572
Edition: ©SMC1996/CPDL
Download mp3: Orgel, Martin Erhardt, 465 Hz